Kino International Corporation.

A film about Sigmund Freud. Originally made for Austrian television.

Cop Au vin is a classic Claude Chabrol thriller set in the belly of a small town full of dark plots, delicious secrets, and multiple murders.

Keaton sets out to single-handedly win the war with the help of his cherished locomotive, The general. In the playhouse, a technical tour-de-force, Keaton portrays every member of a stage company, the entire audience and an undisciplined chimp to boot. Cops is the quintessential chase film.

Eight-year-old Maria and her history professor mother embark on an ocean cruise from Portugal to Bombay, India. As three mysterious and glamorous women board the ship, their picturesque journey begins to grow in tension and complexity.

Four separate stories are interwoven: the fall of Babylon, the death of Christ, the massacre of the Huguenots and a contemporary drama, all crosscut and building with enormous energy to a thrilling chase and finale.

A documentary that takes the viewer into the land of the deaf, a world of silence inhabited by an estimated 130 million people worldwide. The filmmaker portrays the difficulties and joys of being deaf, offering portraits of a charismatic sign language teacher, a woman forced into a mental ward as a teen, a young man who remembers the first horrifying experience of using a hearing aid, and a deaf couple's marriage.

One of the early sound masterpieces of German cinema, this film made Marlene Dietrich an international star and helped assure director Joseph von Sternberg a place in cinematic history. The story is a gripping portrait of a middle-aged professor who is degraded by his obsession with a tawdry cafe entertainer. Presents two versions of the film: The original German and original English versions.

Using hours of audio-only taped interviews, learn about this normally reclusive star, from her childhood to her marriage, collaborators, life, death, and the Holocaust.

At the heart of this film is the question of whether Leni Riefenstahl was a Nazi, as her detractors claim, or whether she was the victim of society-- a naive, young woman who made Triumph des Willens on assignment, and simply did a very good job. This film does not judge, and Riefenstahl (a fiesty 90 during production) is genuine in her protest. Or has the passage of 50-plus years simply rewritten history in her mind? Viewers must judge for themselves....

Maureen O'Hara's first film is the brooding story of a nobleman who leads a cutthroat ship-looting band of men. Charles Laughton is a magnificent villain and Hitchcock glories in the moody atmosphere.